The Anxiety of Influence: A Theory of PoetryPaperback
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- Publisher: Oxford University Press Inc
- Format: Paperback | 204 pages
- Dimensions: 134mm x 200mm x 12mm | 159g
- Publication date: 3 July 1997
- Publication City/Country: New York
- ISBN 10: 0195112210
- ISBN 13: 9780195112214
- Edition: 2, Revised
- Edition statement: 2nd Revised edition
- Sales rank: 59,307
Bloom's The Anxiety of Influence, an insightful study of Romantic poets and the relation between tradition and the individual artist, has sold over 17,000 copies in paperback since 1984 and remains a central work of criticism for students of literature. For the second edition, Bloom offers a new introduction which explains the genesis of his thinking and the subsequent influence of the book on literary criticism of the past twenty years.
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Harold Bloom is Sterling Professor of the Humanities at Yale University and Berg Professor of English at New York University. He is the author of numerous publications including A Map of Misreading, Yeats, The Book of J, The American Religion, The Western Canon, and Omens of the Millennium.
From reviews of the first edition "Bloom has helped to make the study of Romantic poetry as intellectually and spiritually challenging a branch of literary studies as one may find."--The New York Times Book Review"This book will assuredly come to be valued as a major twentieth-century statement on the subject of tradition and individual talent."--David J. Gordon, The Yale Review
Back cover copy
Harold Bloom's The Anxiety of Influence has cast its long shadow of influence since it was first published in 1973. Through an insightful study of Romantic poets, Bloom puts forth his central vision of the relations between precursors and the individual artist. His argument that all literary texts are a strong misreading of those that precede them had an enormous impact on the practice of criticism and post-structuralist literary theory. The book remains a central work of criticism for all students of literature. Written in a moving personal style, anchored by concrete examples, and memorable quotations, this second edition of Bloom's classic work maintains that the anxiety of influence cannot be evaded - neither by poets nor by responsible readers and critics. A new introduction, centering upon Shakespeare and Marlowe explains the genesis of Bloom's thinking, and the subsequent influence of the book on literary criticism of the past quarter of a century.