• American Visions: The Epic History of Art in America See large image

    American Visions: The Epic History of Art in America (Paperback) By (author) Robert Hughes

    Hard to find title available from Book Depository

    $45.00 - Save $5.01 10% off - RRP $50.01 Free delivery worldwide Available
    Dispatched in 3 business days
    When will my order arrive?
    Add to basket | Add to wishlist |

    DescriptionWriting with all the brilliance, authority, and pungent wit that have distinguished his art criticism for "Time" magazine and his greatly acclaimed study of modern art, The Shock of the New, Robert Hughes now addresses his largest subject: the history of art in America. The intense relationship between the American people and their surroundings has been the source of a rich artistic tradition. American Visions is a consistently revealing demonstration of the many ways in which artists have expressed this pervasive connection. In nine eloquent chapters, which span the whole range of events, movements, and personalities of more than three centuries, Robert Hughes shows us the myriad associations between the unique society that is America and the art it has produced: "O My America, My New Founde Land" explores the churches, religious art, and artifacts of the Spanish invaders of the Southwest and the Puritans of New England; the austere esthetic of the Amish, the Quakers, and the Shakers; and the Anglophile culture of Virginia. "The Republic of Virtue" sets forth the ideals of neo-classicism as interpreted in the paintings of Benjamin West, John Singleton Copley, and the Peale family, and in the public architecture of Thomas Jefferson, Benjamin Latrobe, and Charles Bulfinch. "The Wilderness and the West" discusses the work of landscape painters such as Thomas Cole, Frederick Church, and the Luminists, who viewed the natural world as "the fingerprint of God's creation," and of those who recorded America's westward expansion--George Caleb Bingham, Albert Bierstadt, and Frederic Remington--and the accompanying shift in the perception of the Indian, from noble savage to outright demon. "American Renaissance" describes the opulent era that followed the Civil War, a cultural flowering expressed in the sculpture of Augustus Saint-Gaudens; the paintings of John Singer Sargent, Mary Cassatt, and Childe Hassam; the Newport cottages of the super-rich; and the beaux-arts buildings of Stanford White and his partners. "The Gritty Cities" looks at the post-Civil War years from another perspective: cast-iron cityscapes, the architecture of Louis Henri Sullivan, and the new realism of Thomas Eakins, Winslow Homer, the trompe-l'oeil painters, and the Ashcan School. "Early Modernism" introduces the first American avant garde: the painters Arthur Dove, Marsden Hartley, Joseph Stella, Charles Demuth, Charles Sheeler, and Georgia O'Keeffe, and the premier architect of his time, Frank Lloyd Wright. "Streamlines and Breadlines" surveys the boom years, when skyscrapers and Art Deco were all the rage . . . and the bust years that followed, when painters such as Edward Hopper, Stuart Davis, Thomas Hart Benton, Diego Rivera, and Jacob Lawrence showed Americans "the way we live now." "The Empire of Signs" examines the American hegemony after World War II, when the Abstract Expressionists (Jackson Pollock, Willem de Kooning, Mark Rothko, et al.) ruled the artistic roost, until they were dethroned by Jasper Johns, Robert Rauschenberg, the Pop artists, and Andy Warhol, while individualists such as David Smith and Joseph Cornell marched to their own music. "The Age of Anxiety" considers recent events: the return of figurative art and the appearance of minimal and conceptual art; the speculative mania of the 1980s, which led to scandalous auction practices and inflated reputations; and the trends and issues of art in the 90s. Lavishly illustrated and packed with biographies, anecdotes, astute and stimulating critical commentary, and sharp social history, American Visions was originally published in association with a new eight-part PBS television series. Robert Hughes has called it "a love letter to America." This superb volume, which encompasses and enlarges upon the series, is an incomparably entertaining and insightful contemplation of its splendid subject.


Other books

Other people who viewed this bought | Other books in this category
Showing items 1 to 10 of 10

 

Reviews | Bibliographic data
  • Full bibliographic data for American Visions

    Title
    American Visions
    Subtitle
    The Epic History of Art in America
    Authors and contributors
    By (author) Robert Hughes
    Physical properties
    Format: Paperback
    Number of pages: 648
    Width: 193 mm
    Height: 251 mm
    Thickness: 46 mm
    Weight: 2,132 g
    Language
    English
    ISBN
    ISBN 13: 9780375703652
    ISBN 10: 0375703659
    Classifications

    Warengruppen-Systematik des deutschen Buchhandels: 25830
    BIC geographical qualifier V2: 1KBB
    Nielsen BookScan Product Class 3: T1.1
    B&T General Subject: 140
    B&T Book Type: NF
    BIC E4L: ART
    BIC subject category V2: AC
    B&T Modifier: Academic Level: 01
    B&T Modifier: Subject Development: 01
    DC22: 709
    B&T Modifier: Geographic Designator: 01
    B&T Merchandise Category: TVL
    Ingram Subject Code: AT
    BISAC V2.8: ART015000
    Libri: I-AT
    DC21: 709
    BISAC V2.8: HIS036000
    B&T Approval Code: A02300000
    DC22: 709/.73
    LC subject heading:
    BISAC V2.8: ART015020, ARC000000
    LC subject heading:
    LC classification: N6505 .H84 1997
    LC subject heading:
    Thema V1.0: AGA
    Thema geographical qualifier V1.0: 1KBB
    Edition statement
    Pbk.
    Illustrations note
    365 FULL-COLOR ILLUSTRATIONS
    Publisher
    Knopf Publishing Group
    Imprint name
    Knopf Publishing Group
    Publication date
    09 November 1999
    Publication City/Country
    New York, NY
    Author Information
    Robert Hughes was born in Australia in 1938. He has lived and worked in the United States since 1970. He has been art critic for TIME magazine for more than 25 years. His books include monographs on painters Lucien Freud and Frank Auerbach, a history of Australian art, Heaven and Hell in Western Art (1969), The Shock of the New (1981), The Fatal Shore (1987), a book of social criticism entitled The Culture of Complaint (1995), Barcelona (1992), and a collection of reviews, Nothing If Not Critical (1990). Hughes is the recipient of a number of awards and prizes for his work, most recently an Academy Award in Literature from the American Academy of Arts and Letters.
    Flap copy
    Writing with all the brilliance, authority, and pungent wit that have distinguished his art criticism for "Time magazine and his greatly acclaimed study of modern art, The Shock of the New, Robert Hughes now addresses his largest subject: the history of art in America. The intense relationship between the American people and their surroundings has been the source of a rich artistic tradition. American Visions is a consistently revealing demonstration of the many ways in which artists have expressed this pervasive connection. In nine eloquent chapters, which span the whole range of events, movements, and personalities of more than three centuries, Robert Hughes shows us the myriad associations between the unique society that is America and the art it has produced: "O My America, My New Founde Land" explores the churches, religious art, and artifacts of the Spanish invaders of the Southwest and the Puritans of New England; the austere esthetic of the Amish, the Quakers, and the Shakers; and the Anglophile culture of Virginia. "The Republic of Virtue" sets forth the ideals of neo-classicism as interpreted in the paintings of Benjamin West, John Singleton Copley, and the Peale family, and in the public architecture of Thomas Jefferson, Benjamin Latrobe, and Charles Bulfinch. "The Wilderness and the West" discusses the work of landscape painters such as Thomas Cole, Frederick Church, and the Luminists, who viewed the natural world as "the fingerprint of God's creation," and of those who recorded America's westward expansion--George Caleb Bingham, Albert Bierstadt, and Frederic Remington--and the accompanying shift in the perception of the Indian, from noble savage to outrightdemon. "American Renaissance" describes the opulent era that followed the Civil War, a cultural flowering expressed in the sculpture of Augustus Saint-Gaudens; the paintings of John Singer Sargent, Mary Cassatt, and Childe Hassam; the Newport cottages of the super-rich; and the beaux-arts buildings of Stanford White and his partners. "The Gritty Cities" looks at the post-Civil War years from another perspective: cast-iron cityscapes, the architecture of Louis Henri Sullivan, and the new realism of Thomas Eakins, Winslow Homer, the trompe-l'oeil painters, and the Ashcan School. "Early Modernism" introduces the first American avant garde: the painters Arthur Dove, Marsden Hartley, Joseph Stella, Charles Demuth, Charles Sheeler, and Georgia O'Keeffe, and the premier architect of his time, Frank Lloyd Wright. "Streamlines and Breadlines" surveys the boom years, when skyscrapers and Art Deco were all the rage . . . and the bust years that followed, when painters such as Edward Hopper, Stuart Davis, Thomas Hart Benton, Diego Rivera, and Jacob Lawrence showed Americans "the way we live now." "The Empire of Signs" examines the American hegemony after World War II, when the Abstract Expressionists (Jackson Pollock, Willem de Kooning, Mark Rothko, et al.) ruled the artistic roost, until they were dethroned by Jasper Johns, Robert Rauschenberg, the Pop artists, and Andy Warhol, while individualists such as David Smith and Joseph Cornell marched to their own music. "The Age of Anxiety" considers recent events: the return of figurative art and the appearance of minimal and conceptual art; the speculative mania of the 1980s, which led to scandalous auction practices andinflated reputations; and the trends and issues of art in the 90s. Lavishly illustrated and packed with biographies, anecdotes, astute and stimulating critical commentary, and sharp social history, American Visions was originally published in association with a new eight-part PBS television series. Robert Hughes has called it "a love letter to America." This superb volume, which encompasses and enlarges upon the series, is an incomparably entertaining and insightful contemplation of its splendid subject.