- Publisher: DC Comics
- Format: Hardback | 256 pages
- Dimensions: 173mm x 259mm x 15mm | 748g
- Publication date: 9 April 2013
- ISBN 10: 1401237703
- ISBN 13: 9781401237707
- Illustrations note: chiefly col. ill
- Sales rank: 66,183
In the first story, series mainstays Skinner Sweet, Pearl, and company return to Hollywood in the '50s during the Red Scare. In a time where America was on the lookout for the next Communist threat, the real danger was something far more insidious? A major turning point in American Vampire lore begins here! In the second tale, familiar face and vampire hunter Felicia Book is "retired" from vampire hunting when she gets called back into action to track down and kill the most powerful vampire of all time. The hunt takes our heroes through post-war Europe, behind the Iron Curtain, and into the heart of Russia to track this deadly enemy. Writer Scott Snyder (Batman, Swamp Thing) and artist Rafael Albuquerque bring together even more threads to the complex tapestry that is the world of American Vampire.
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Scott Snyder has been published in Zoetrope, Tin House, One-Story, Epoch, Small Spiral Notebook and other journals. He most recently has co-written AMERICAN VAMPIRE for Vertigo/DC Comics, along with horror-master Stephen King, BATMAN, DETECTIVE COMICS and SWAMP THING.
By 365 Graphic Novels 23 Feb 2014
This book contains three stories. The first is Snyder’s take on the granddaddy of all vampires, Dracula. This is executed very well as he finds his own path rather than messing with what has gone before. It is a good chase/ road movie with some of the secondary characters we have taken a shine to.
This story is illustrated by Dustin Nguyen who briefly exhibits his own style before coming into line and adopting the Albuquerque template. There are a lot of neat little artistic touches and some lovely sketched flashbacks. Even the lettering for foreign languages has some good ideas.
The second story concerns Pearl and what has happened following the attack on her home. This is a top quality piece of writing showcasing the emotions and relationships Snyder has a knack for. Where Pearl is, Skinner isn’t far behind, but he does feel criminally under, or even ill, used. The great thing about vampire stories is you get to bring people back from the dead. But do it too often and death loses its punch.
The third story is a one-shot that works as a fine interlude between bigger stories and dusts off some previous characters ready for a future storyline.
Albuquerque draws the second and third stories and his style has come to define the wonderful look of American Vampire. There are few surprises in his work but we like the comfort and dependability of his craft.
Overall this isn’t a bad volume. Snyder does historical America very well and being set in the 1950’s this leads to the great line of “undeads under the bed.” There is enough topical material to give you a sense of place and as the stories reference each other you do get the bond of a cohesive world.
Unfortunately Snyder doesn’t do so well outside the US and adventures in Britain and Europe exhibit some clangers. Some are partly conceits to smooth things over for an American readership but Gaelic is an adjective describing a language or culture not a noun for a person or nation. Small things.
There is a sketchbook at the back and variant cover gallery too.
"Looking for a vampire story with some real bite? Then, boys and girls, Scott Snyder has a comic book for you."--USA WEEKEND "Very smart, knowledgeable stuff."--ENTERTAINMENT WEEKLY "American Vampire continues to be one of the most exciting, bold and horrific new series"--BUZZFOCUS "One hell of a satisfying package...a rich, textured romp through vampire Americana, in such a fun way as to suggest the possibilities of this vehicle are as endless as the lives of the undead."--IGN "AMERICAN VAMPIRE is full of amazing dialogue and great characterization, simply an amazing book that begs to be picked up."--AINT IT COOL NEWS