Alive in Necropolis

Alive in Necropolis


By (author) Doug Dorst

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  • Publisher: Riverhead Books
  • Format: Paperback | 437 pages
  • Dimensions: 124mm x 203mm x 25mm | 408g
  • Publication date: 2 June 2009
  • ISBN 10: 1594483825
  • ISBN 13: 9781594483820
  • Edition statement: Reprint
  • Sales rank: 390,635

Product description

A "dark and funny debut"("Seattle-Times") about a young police officer struggling to maintain a sense of reality in a town where the dead outnumber the living. Colma, California, the "cemetery city" serving San Francisco, is the resting place of the likes of Joe DiMaggio, Wyatt Earp, and William Randolph Hearst. It is also the home of Michael Mercer, a by-the-book rookie cop struggling to settle comfortably into adult life. Instead, he becomes obsessed with the mysterious fate of his predecessor, Sergeant Wes Featherstone, who spent his last years policing the dead as well as the living. As Mercer attempts to navigate the drama of his own daily life, his own grip on reality starts to slip-either that, or Colma's more famous residents are not resting in peace as they should be.

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Author information

A long-time resident of San Francisco, Doug Dorst now lives in Austin, Texas where he teaches creative writing at St. Edward's University. His work has appeared in "McSweeney's, ""Ploughshares, Epoch," and other journals, as well as in the anthology "Politically Inspired." He is also a former "Jeopardy! " champion.

Review quote

"A daring and big-hearted first novel...Like Dashiell Hammett, Dorst conveys a hard-bitten love of the physical San Francisco." -"New York Times Book Review" "In the same way "Buffy the Vampire Slayer" mixed high school and bloodsuckers, Doug Dorst combines cops and ghosts in his "Alive in Necropolis". The result is a haunted variation on Ed McBain's 87th Precinct series...Imaginative and accomplished... Pitch-perfect." -"USA Today" "Rich, unsettling...truly haunting." -"San Francisco Chronicle" "An intriguing mix of coming-of-age story, police procedural, and magical realism." -"Seattle-Times"