- Publisher: Quercus Publishing Plc
- Format: Hardback | 208 pages
- Dimensions: 170mm x 202mm x 22mm | 481g
- Publication date: 1 June 2011
- Publication City/Country: London
- ISBN 10: 184866060X
- ISBN 13: 9781848660601
- Sales rank: 25,993
Literature suffers from appearing both deceptively easy and dauntingly difficult. We all like to think we can read a novel and understand what 'genre', 'style' and 'narrative' mean, but do we really understand them fully and how they can enrich our reading experience? How should we approach the works of great writers such as William Shakespeare, T.S. Eliot, Charles Dickens and Jane Austen? And what can we hope to learn from apparently difficult ideas such as 'hermeneutics', 'affective fallacy' and 'bricolage'? 50 Literature Ideas you Really Need to Know is the essential guide to all the important forms, concepts, themes and movements in literature. It provides a clear, opinionated and thorough overview of theories about the nature of language and meaning, and outlines the thinking behind key literary concepts such as postmodernism, semiology, postcolonialism and structuralism. Best-selling author and critic John Sutherland offers a fresh and challenging overview of literary ideas and theories, from the apparently familiar to the decidedly unfamiliar. Packed with insights and examples from both classic and popular works, it is a book that will delight anyone who has ever been mystified by literary jargon and wants to gain a deeper, more thorough enjoyment of reading and writing.
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John Sutherland is Emeritus Lord Northcliffe Professor of Modern English Literature at University College London and a visiting professor at the California Institute of Technology. He has published 20 books, edited 30 more and written many articles on a variety of publications. His most recent books are The Boy Who Loved Books: A Memoir (2007) and How to Read a Novel: A User's Guide (2006). He also writes a weekly column for the Guardian, and is a former Chairman of the Booker Prize.
Table of contents
Introduction. SOME BASICS: Mimesis; Ambiguity; Hermeneutics; The Classic; Intentionalism; The Affective Fallacy; Narrative/Story; Epic; Lyric/Prosody; Gothic; The Translation Paradox. MACHINERY - HOW IT WORKS: Culture; Milieu; Base/Superstructure; The Canon; Genre; Closure; Paradigm Shift; Ownership; Critical Authority; Style. LITERATURE'S DEVICES: Allegory; Irony; Imagery; Allusion; Defamiliarization; Bricolage; Metafiction; Solidity of Specification. NEW IDEAS: Structuralism; Deconstruction; Textuality; Double bind; Postmodernism; Heteroglossia; New Historicism; Post-Colonialism; Semiology; Reception Theory; Sexual Politics. WORD CRIMES: Plagiarism; Obscenity; Libel; Blasphemy; Permissiveness; Literary Lies; Ghost-Writers. LITERARY FUTURES: Fanfic; The e-book; Literary Inundation. Glossary. Index.